Hankyeol Yoon
Finalist Composition Prize 2017
Biography
Born in Daegu, Hankyeol Yoon studied at the Yewon School of Arts with Kyu Yung Chin before entering the Hochschule für Musik in Munich, Germany, where he pursued his studies with Isabel Mundry. In addition to composition, he also studied the piano with Yuka Imamine and orchestra conducting with Bruno Weil, Alexander Liebreich and Marcus Bosch.
As a composer Hankyeol Yoon has won many prizes including 1st Prize at the Eumyoun Competition, 3rd Prize in Guenter-Bialas Competition in Munich and 2nd Prize at the Vareler Competition (Munich). His works were performed in Seoul at the 28th Eumyoun Young Music Festival in 2011, at the SIMEN’S Junge Solisten Stiftung (Munich) in 2013, at the Daegu International Contemporary Music Festival in 2014, at the Gasteig and by the Karl Hartmann Society in Munich. He also took part in a master class by Unsuk Chin in Seoul.
As a conductor, Hankyeol Yoon was assistant to Bruno Weil for the Jeunesses Musicales Opera in Weikersheim and is currently assistant to Marcus Bosch at the Heidenheim Opera for the Stuttgart Philharmonic. He was recently named assistant conductor of the Staatstheater Nürnberg for the 2017 Season. He has directed orchestras in Munich, including the Münchener Kammerorchestra, Bayerischer Rundfunk and Münchener Symphoniker. He was semi-finalist at the Aram Khatchaturian Competition in Yerevan, Armenia, and finalist of the 70th Geneva Competition's Composition Prize in 2015.
Events

Jaehyuck Choi (22 y.o., Korea)
Nocturne III for clarinet et orchestra1
Yair Klartag (31 y.o., Israel)
Bocca Chiusa for clarinet et orchestra2
Hankyeol Yoon (23 y.o., Korea)
Prank for clarinet et orchestra3
SOLOISTS :
Jérôme Comte, clarinet1
Fabio Di Càsola, clarinet, 1st Prize 19902
Ernesto Molinari, clarinet3
L’Orchestre de Chambre de Genève
Orchestre de la HEM-Genève
Pierre Bleuse, conducting
Direct broadcast on Espace 2 - Live video streaming on our website, Facebook & YouTube
With the support of Fondation Reine Marie José
NOTE ON THE PROGRAMME:
By placing contemporary creation at the heart of its artistic projects, the Geneva Competition wants to act as both a pioneer and a militant. In the same way as we try to refresh musical interpretation by promoting young talent from all over the world, it is vital that the music itself regenerates and stays up-to-date by giving creativity a deserving place. Since 2013, our Composition Prize has shown that it is possible to consider composition as a discipline in its own right, and to view its winners as virtuosos and its finals as events for the general public. We continue to believe that this is worthwhile and are now broadening the competition to include a work for solo clarinet and orchestra.