Ichiro Nodaïra
Composition Jury 2017
Biography
Currently Artistic Director of the AOI Concert Hall in Shizuoka, Ichiro Nodaïra pursues a dual career as pianist and composer. He was born in 1953 in Tokyo, where he studied composition at the Tokyo National University of Fine Arts and Music. A scholarship awarded by the French government enabled him to pursue his training at the Paris Conservatory under the guidance of Henriette Puig-Roget, Betsy Jolas, Serge Nigg, Michel Philippot and Jean Koerner.
After earning first prizes in composition, analysis and piano accompaniment, he took part in various courses taught by György Ligeti, Franco Donatoni, Peter Eötvös and Brian Ferneyhough. He also took a computer music course at the IRCAM. Founder of the Tokyo Sinfonietta, he was lecturer at the University of Fine Arts and Music in Tokyo from 1990 to 2002. In France he has received commissions from the Ministry for the Arts and the Ensemble intercontemporain. His work is mainly performed in Europe and Japan and has received many distinctions, including the Japan Art Encouragement Prize of Fine Arts.
He has written close to one hundred works for a wide range of instruments, ranging from traditional Japanese instruments to electronics, and sometimes combining both. Ichiro Nodaïra has also composed many vocal works, including an opera Madrugala, premiered in 2005 under the direction of Kent Nagano.
Events

Jaehyuck Choi (22 y.o., Korea)
Nocturne III for clarinet et orchestra1
Yair Klartag (31 y.o., Israel)
Bocca Chiusa for clarinet et orchestra2
Hankyeol Yoon (23 y.o., Korea)
Prank for clarinet et orchestra3
SOLOISTS :
Jérôme Comte, clarinet1
Fabio Di Càsola, clarinet, 1st Prize 19902
Ernesto Molinari, clarinet3
L’Orchestre de Chambre de Genève
Orchestre de la HEM-Genève
Pierre Bleuse, conducting
Direct broadcast on Espace 2 - Live video streaming on our website, Facebook & YouTube
With the support of Fondation Reine Marie José
NOTE ON THE PROGRAMME:
By placing contemporary creation at the heart of its artistic projects, the Geneva Competition wants to act as both a pioneer and a militant. In the same way as we try to refresh musical interpretation by promoting young talent from all over the world, it is vital that the music itself regenerates and stays up-to-date by giving creativity a deserving place. Since 2013, our Composition Prize has shown that it is possible to consider composition as a discipline in its own right, and to view its winners as virtuosos and its finals as events for the general public. We continue to believe that this is worthwhile and are now broadening the competition to include a work for solo clarinet and orchestra.