Magnus Lindberg
Composition Jury 2017
Biography
Born in Helsinki, Magnus Lindberg studied composition at the Sibelius Academy with Paavo Heininen, who encouraged him to look beyond the prevailing Finnish conservative and nationalist aesthetics, and to explore the works of the European avant-garde. This led to the creation of an informal collective called Ears Open Society, which aimed at encouraging a greater awareness of mainstream modernism. With conductor Esa-Pekka Salonen, he founded an experimental ensemble Toimji, in which he played piano and percussion.
Laureate of the Wihuri Sibelius Prize, his composition breakthrough came at the beginning of the 1980s with two large-scale works, Action-Situation-Significa- tion and Kraft. His works at this time combined experimentalism, complexity and primitivism. In the late 1980s it transformed itself towards a new modernist classicism, in which many of the communicative ingredients of a vibrant musical language were reinterpreted afresh for the post-serial era.
His work has been commissioned by a number of orchestras, including the Berlin Philharmonic and San Francisco Symphony. His orchestral work, Era, was premiered by the Concertgebouw Orchestra in Amsterdam, upon the occasion of its 125th anniversary. Lindberg was Composer-in-Residence of the New York Philharmonic between 2009 and 2012. He was then appointed Composer in Residence of the London Philharmonic Orchestra for three years from the 2014/15 season, with commissions including a second violin concerto for Frank Peter Zimmermann.
Events

Jaehyuck Choi (22 y.o., Korea)
Nocturne III for clarinet et orchestra1
Yair Klartag (31 y.o., Israel)
Bocca Chiusa for clarinet et orchestra2
Hankyeol Yoon (23 y.o., Korea)
Prank for clarinet et orchestra3
SOLOISTS :
Jérôme Comte, clarinet1
Fabio Di Càsola, clarinet, 1st Prize 19902
Ernesto Molinari, clarinet3
L’Orchestre de Chambre de Genève
Orchestre de la HEM-Genève
Pierre Bleuse, conducting
Direct broadcast on Espace 2 - Live video streaming on our website, Facebook & YouTube
With the support of Fondation Reine Marie José
NOTE ON THE PROGRAMME:
By placing contemporary creation at the heart of its artistic projects, the Geneva Competition wants to act as both a pioneer and a militant. In the same way as we try to refresh musical interpretation by promoting young talent from all over the world, it is vital that the music itself regenerates and stays up-to-date by giving creativity a deserving place. Since 2013, our Composition Prize has shown that it is possible to consider composition as a discipline in its own right, and to view its winners as virtuosos and its finals as events for the general public. We continue to believe that this is worthwhile and are now broadening the competition to include a work for solo clarinet and orchestra.