Jérôme Comte
Biography
Having completed his studies with Thomas Friedli, Pascal Moragues, Michel Arrigon and Maurice Bourgue, Jérôme Compte successively won “Prix de virtuosité” at the Conservatoire de Genève and “Prix à l’unanimité” at the Conservatoire de Paris (CNSMDP). He is laureate of the Meyer Foundation for cultural and artistic development and the Fondation d’entreprise Groupe Banque Populaire, and in 2003, was “filleul” of the Académie Charles-Cros. Distinguished by several international competitions, Jérôme Comte has appeared across the world as soloist and chamber musician. He regularly performs with ensembles such as the Orchestre de l’Opéra de Paris, the Orchestre National de France and the London Symphony Orchestra. In 2005, at 25 years old, he became a member of the prestigious Ensemble Intercontemporain. Pierre Boulez and Matthias Pintscher have directed him in works he is particularly fond of: Unsuk Chin’s Concerto for clarinet, Hans Werner Henze’s du Miracle de la rose, Yan Marez’ l’Eclipse and Eliott Carter’s Concerto for clarinet, which he has just recorded with the Ensemble Intercontemporain. In 2010, he was invited to perform Pierre Boulez’ Dialogue de l’ombre double upon the occasion of a retrospective on the composer at the Louvre auditorium. Jérôme Compte exclusively plays a Tosca clarinet by Buffet Crampon.
Events

Jaehyuck Choi (22 y.o., Korea)
Nocturne III for clarinet et orchestra1
Yair Klartag (31 y.o., Israel)
Bocca Chiusa for clarinet et orchestra2
Hankyeol Yoon (23 y.o., Korea)
Prank for clarinet et orchestra3
SOLOISTS :
Jérôme Comte, clarinet1
Fabio Di Càsola, clarinet, 1st Prize 19902
Ernesto Molinari, clarinet3
L’Orchestre de Chambre de Genève
Orchestre de la HEM-Genève
Pierre Bleuse, conducting
Direct broadcast on Espace 2 - Live video streaming on our website, Facebook & YouTube
With the support of Fondation Reine Marie José
NOTE ON THE PROGRAMME:
By placing contemporary creation at the heart of its artistic projects, the Geneva Competition wants to act as both a pioneer and a militant. In the same way as we try to refresh musical interpretation by promoting young talent from all over the world, it is vital that the music itself regenerates and stays up-to-date by giving creativity a deserving place. Since 2013, our Composition Prize has shown that it is possible to consider composition as a discipline in its own right, and to view its winners as virtuosos and its finals as events for the general public. We continue to believe that this is worthwhile and are now broadening the competition to include a work for solo clarinet and orchestra.